The Reciprocal Cycle of Life and the World–Xu Yan Art Project“The Egg” sets th包養網車馬費e stage for a fictionalized encounter with God, and although it differs slightly from the per包養ception gained in artist Andy Weir’s original work, the film conveys topics such as the community of destiny, memory, and acceptance. Instead of a conversation with God after death, i包養t feels more like the med包養網VIPitation of an unknowing and eternal being.The point the artist is trying to convey through his work is this: “Every time you hurt someone, you are hurting yourself. Every act of kindness you do is done to yourself. Every moment of joy and sadness experienced by any human being is experienced,包養女人 or will be experienced, by you.” This idea is somewhat consistent with the Buddhist concept of reincarnation, the cycle of human life, and our interdependen包養網單次t relationship…If the “egg” of the universe is indeed working in this way, can the various fates suffered by human beings be viewed as the i包養妹nfluence of the self of another moment on the self of the present moment? If this is the way the universe works, then can the fate of man be seen as the influence of his own self at another time on his own self in the present? Such an interpretation may sound negative and lack some 包養網passion, but it can bring comfort. We are the senders and receivers of actions. To bear, to accept a certain memory, a certain fate, a certain way of dyi短期包養ng, is to accept all of ourselves in the world, and to accept the world as it grows and improves. As God says in the film, the point of it all is: “to make you mature.”Yan’s film delves into the core issues of human existence. Two perspectives are presupposed: the earthly and the omnipotent God’s. In this closed system, the questions posed by “Me” as the subject are all ultimate—they concern the essence, meaning, and value of existence. The answers are invariably directed toward the all-knowing and all-powerful “He.” It is not only a reverence for the unknown but also a kind of trust in problem-solving. However, this trust is not imaginary; it is based on each person’s experience and self-awareness.Everyone is constantly exploring, inquiring, and practicing throughout their lives, trying to find their own answers. Unfortunately, each person can only choose one path in their life and can only experience it in their own way, reflecting on their own life to find meaning and value. This process of searching is also包養管道 the process of deepening people’s sense of self.Film affirms human beings’ ability to shape themselves. “Bringing earthly memories up to the heavens” encompasses people’s experiences, values, and more. This affirmation extends not only to the individual but also to human history and civilization as a whole. Because every individual is a part of the human race, individual experiences are also integral to the collective human experience. In their continual pursuit of self-improvement and development, human beings realize self-shaping and upgrading through the accumulation of experiences and memories.Each reincarnated life may bring new memories and experiences, yet the knowledge and experience contained in each soul resemble a shadowy candle illumina包養網ting an entire history. These experiences and knowledge gradually awaken in the course of a new life, and the acceptance of others包養俱樂部 and history is also the acceptance of oneself. Individuals and collectives are uniquely represented in the work. The memory of a short life serves as the witness to our growth as individuals, while the collective memory of an egg is our shared perception and interpretation of the past as part of the human destiny community.The relationship between human beings, life, and the universe is a topic so vast that many spend their entire lives unable to clarify it. Films like Yan’s are needed to teach us to deconstruct the universal issues of the relationship between life and the universe in a relaxed manner. In the cycle of life and the world, the starting point of time is deliberately blurred, allowing the viewer to insert a point in time at will, and then look into the past and the future. The past one sees may actually be the future, and the future one sees may be the past. Regarding this past and future, are they the recorded results包養妹 of real occurrences, or are they the stories of virtually remodeled scenarios? Both and neither.